
BIO
Kari Hall is an encaustic artist who paints memories of light in the landscape from her studio in Sugar Land, Texas. Using beeswax, fire, and pigment, she explores the contrast between light and dark, capturing fleeting moments of beauty and connection in nature.
Born and raised in the Chicagoland area, Hall earned a BA in Visual Communications Design from Purdue University, where she was first introduced to encaustic painting. After a successful and decade-long career as a graphic designer, she left the field in 2014 to pursue her passion as a full-time artist.
Hall’s work has been exhibited in galleries across the Midwest and East Coast, including Zhou B Art Center, ARC Gallery, Brickton Art Center, and the historic Fine Arts Building in Chicago. She has been featured in Fresh Paint Magazine, Voyage Houston, and Glassworks Magazine and has studied under renowned artists such as Shawna Moore, Kim Bernard, Jenny Learner, and Mark Russell.
Now based in Texas, with summers spent in Northern Michigan, Hall finds endless inspiration in the changing light of the landscape. When she’s not in the studio, she enjoys time with her husband and their two daughters, always seeking beauty in the everyday.

Artist statement
I paint memories of light in the landscape, using beeswax, fire, and pigment to capture fleeting moments of beauty. My work is about more than just the physical world—it is an exploration of hope, a search of light within the horizon and within ourselves. Through the framework of landscape, I paint expressively, allowing intuition and emotion to shape each piece.
I am drawn to the contrasts of light and dark, the tension between the seen and unseen. What is illuminated? What remains hidden beneath the surface? These are the questions that guide my practice. Working with encaustic—a medium that requires both control and surrender—I build up soft, luminous layers of melted beeswax and pigment, fusing them with fire before carving, smoothing, and melting again. This process of revealing and obscuring mirrors the way we experience memory, emotion, and time.
Each painting is a meditation, a sensory experience that invites touch, smell, and sight. The natural fragrance of beeswax, the warmth of the torch, the movement of color across the panel—all of it draws me deeper into the moment, into the physical act of creation. In this space, I find connection. To place. To memory. To something greater than myself.
Ultimately, my intention is to offer a sense of solace and wonder. A reminder that even in moments of uncertainty, there is always light breaking through.

What is Encaustic Art?
Encaustic is a painting method where color-pigmented beeswax is melted, applied to a surface and reheated to fuse the paint into a smooth or textured finish. The word encaustic comes from Greek word enkaustikos and means 'to burn in', which refers to the process of fusing the paint. Encaustic has a long history, but it has been experiencing a recent resurgence in popularity due to the increased convenience and safety of heating appliances. The surface can be polished to a high gloss, it can be modeled, sculpted, textured, and combined with collage materials. It cools immediately, so that there is no drying time, yet it can always be reworked. The durability of encaustic is due to the fact that beeswax is impervious to moisture. Because of this it will not deteriorate. Encaustic paintings do not have to be varnished or protected by glass.