Instagram for Artists

Are you fed up and frustrated with desperate, outdated "tips and tricks" to grow your Instagram following? Are you tired of spending hours wondering what to post, and still not seeing results when you do finally share something? Have no fear! 

INSTAGRAM FOR ARTISTS - A step by step course with Amira Rahim

There is an easier way to gain followers and sell more art online! Last winter I took an Instagram for Artists course with the incredibly talented @amirarahimart. In less than one year, I've grown my followers from 400 to over 4,000! It has required work and effort on my end but I have already seen the results benefiting my business. And it's not just for artists but also photographers, interior designers, makeup artists, or anything in the visual industry. The course signup is open for a short period of time, so don't wait to reserve your spot! Click HERE to sign up.

March Meet The Maker - An Instagram Challenge

A few of my artist friends inspired me to join them in a month long Instagram challenge called March Meet The Maker founded by @joannehawker. The goal was to tell my business story through 31 prompts by using the hashtag #marchmeetthemaker every day in March.

Here are some of the images I shared during the 31 days. Be sure to visit my Instagram account @karihallstudio to read all of the information I wrote with each captions. I hope I've shared a bit more of my process and insight in what I love to do. Thank you for following along!

Tasting Event for Pork and Mindy's

I am thrilled to announce my work has been selected to be on display at the new and upcoming restaurant, Pork and Mindy's, led by Executive Chef and Food Network star, Jeff Mauro! The debut restaurant is a unique blend of food, music, and art and will open early 2016 in Chicago's Bucktown neighborhood. Selected works will be displayed at the restaurant and be made into prints that will be promoted on their website.

Executive Chef and Food Network Star Jeff Mauro

Executive Chef and Food Network Star Jeff Mauro

Before the official opening, three of my original encaustic paintings will be shown at a Pork and Mindy's tasting event this Wednesday, November 4th at Get A Grip Cycles in Chicago.

Here's a couple pics from the tasting event featuring my artwork.

I couldn't be more excited about this opportunity! The food is so delicious and everyone involved is so friendly and genuine. Great food, great people. I am incredibly honored to be included and I cannot wait for the restaurant to open!

For more info about Pork and Mindy's visit their website at www.porkandmindys.com

Artists Reception for "Elements of Light"

What an incredible show! My first two person exhibtion "Elements of Light" at the Brickton Art Center in Park Ridge opened July 14. The opening on July 17 was the perfect evening! It was surreal for me to see my body of work hung up on the wall and to be able to share it with my family and friends. I am grateful for the opportunity to show at Brickton and it was an honor to be a part of it with fellow encaustic artist Ahavani Mullen. Her work is gorgeous and I love the large scale of her pieces. After seeing our work displayed together it was even more apparent how well it compliments one another.

Thank you to everyone who came out to support us! Please enjoy a selection of photos from the opening reception.

with Ahavani Mullen

with Ahavani Mullen

Above images are works my Kari and below are works by Ahavani.

Here is a slide show with photos from the opening.

 

 

 

Between Here and There: Kari Hall Interview by Bridgette Guerzon Mills

I wanted to share this interview by Bridgette Guerzon Mills, artist and curator of the exhibit Between Here and There at artstream studios in Dover, New Hampshire. Bridgette was kind enough to give me permission to repost her content on my blog. You can also find the original post on her blog as well as the other two exhibiting artists Melissa Hall and Linda Wein. I hope you enjoy reading about my paintings!

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Between Here and There: Kari Hall artist interview
May 8, 2015

After visiting the Between Here and There show at artstream last month and seeing Kari’s work in the show, I have to say that her work just needs to be seen in person to get the full impact. Imagine yourself standing in front of her work and just losing yourself in layers and nuances of her surfaces. Beautiful. But, I already knew this. I met Kari and first saw her work when we were in a FUSEDChicago show together in Chicago and I immediately was drawn to her work.

You can view her body of work in Between and Here at the artstream website and her larger body of work at her website.

Kari Hall, The Waves Upon Us, Encaustic, 20x16 inches

Kari Hall, The Waves Upon Us, Encaustic, 20x16 inches

1. Can you talk a bit about the body of work currently on exhibit at artstream? What was your inspiration?
My works are memories of landscape that tell a story about my personal connection to Italy. I am inspired by my recollection of particular places and the history of my Italian ancestors. My experiences traveling to Italy have proven there is a connecting thread that ties my fascination to my background. I am continuously recalling the textures and colorful coastal towns in Cinque Terre, the calming Mediterranean Sea, the rolling vineyards in Tuscany, and ancient stucco walls in Rome. Using my imagination I translate these memories into abstract, multilayered pieces.

All of the paintings I created for this exhibit incorporate image transfers from my own photography, historic documents from my ancestors, paper or other found materials. These elements are either layered near the surface or combined into the underpainting, creating an illusion of receding back into space. The encaustic medium allows this sense of depth and intrigue. I like that it holds mystery of what lies within and invites one to step up closer for a moment of discovery and familiar connection.

2. Even though people often say “Let the art speak for itself” I love to hear the story or inspiration behind the artwork. Can you share a story/thoughts behind one of your pieces?

There is always a story behind my work. Every painting has significant meaning to me. On the Sanctuary Trail #1-9 is about my exploration and discovery on the hiking trails in Cinque Terre, Italy. One of my favorite hiking trails is on the high trail from Manarola up to Volastra, a less-traveled intimate path where you see farmers tending their olive groves and orange trees on hillside terraces. This high trail connects each town to its sanctuary (church). Each panel in this series is a memory of the landscape and elements of nature that spark my imagination. I have vivid memories of the deep blue colors of the sea, the shape of the lush vineyards, the bright purple wildflowers, and the texture of the ancient paths. Cinque Terre is like heaven on earth. When I am lucky enough to visit I am always captivated by it’s timeless beauty.

Kari Hall, On the Sanctuary Trail #2, Encaustic mixed media, 6x6 inches

Kari Hall, On the Sanctuary Trail #2, Encaustic mixed media, 6x6 inches

3. You recently left your career as a graphic designer to pursue your art in a more full time capacity, what has been the biggest challenge during this transition? Any advice for how you handled the challenge?

The biggest challenge so far is being my own boss. All of the responsibility is on my shoulders, and it requires a lot of self-motivation, dedication, and hard work. But I know the hard work will pay off, and I have motivation because I am passionate about what I do. I’m extremely grateful to be able to do what I love. Another challenge I’ve faced is learning how to find balance between working out of my house and avoiding distraction. I find that sticking to a routine helps; getting up early, not watching TV or running errands during the day. An important part of staying productive in the studio is taking care of myself by maintaining a healthy and active lifestyle. I get outside everyday (even in the harsh Chicago winter!) to walk my dog and go to the gym. Taking short breaks gives me a fresh perspective when I get stuck on a painting. I feel as though I’m just getting my feet wet in the first few months of being a full-time artist, but I am working hard to achieve my goals and I plan to see them through. I’m working harder than I’ve ever worked before and I love every second of it.

4. I feel that your work has a duality- the abstract compositions and then the collaged photo encaustic works. Do you feel that there is a distinct separation between the two or is there an overlap?

There is an overlap. When my intent is to feature a specific image, it can be the primary focus of the composition. I am continuing to work more with my abstract compositions, but I may choose to incorporate mixed media elements that are buried under many layers of wax. I am interested in pursuing both directions, at least a combination of the two, and I don’t feel limited to one over the other. The benefit of working in encaustic is that it allows me to explore multiple ways of creating an abstract painting.

Kari Hall, Testament to the Sea, Encaustic mixed media, 18x12 inches

Kari Hall, Testament to the Sea, Encaustic mixed media, 18x12 inches

5. I’ve been fortunate to see your work in person when I was in Chicago and your work has a definite presence. I remember coming up really close to the surface and just wanting to peer into all the layers and also my fingers were itching to touch the surface. Are you paintings as heavily layered as it appears to be? 

Yes, they are as heavily layered as they appear to be. A piece could have anywhere from 20-50 layers of wax. Encaustic allows me to add depth and texture, layer after layer, and choose what to push into the background and pull to the foreground. Sometimes I want a color or mark to be distant or just a faint echo. I aim to reveal the light within each painting, which is amplified by the luminosity of the beeswax. It takes several layers to achieve the result I’m looking for.

Kari Hall, Underwater, Encaustic, 14x11 inches

Kari Hall, Underwater, Encaustic, 14x11 inches

6. Do you have any art books that you recommend?

Art, Inc.: The Essential Guide for Building Your Career as an Artist: A great resource with practical and useful information for building a career as an artist. When I transitioned away from the corporate world I found this very helpful information to start my own business.

The Artist’s Way: It’s been around for a while but I recommend it to every artist. I continuously go back and reread this book. It has helped me rediscover my creativity and artistic confidence. If you are open, it can be life changing.

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I hope you enjoyed the interview as much as I did. If you are in the area, be sure to stop in to view the exhibit in person. It will be up for the rest of May. Hurry, before it’s too late! I think about 14 paintings have already been sent to new homes.

Between Here and There
artstream
April 1- May 30, 2015
Artist Reception April 24th and May 29th
10 Second Street, Dover NH 03820
603.516.8500, M-F 12-6 Sat 10-2

Works are also available to purchase online. Feel free to get in touch if you have any questions.

30 by 6 x 6

Today I am starting a 30 day project, "30 by 6 x 6". For thirty consecutive days I will create an encaustic painting at the size of 6"x6". I've wanted to do this for a long time but lack of time was always my reasoning. No longer a valid excuse! It will be a good exercise for me to work on small panels and not be concerned with size or subject. As I continue to work on commission pieces and large scale paintings, it's nice to take a step back and work on something small but personal.

Here's what I created today:

Day One, encaustic and image transfer on panel, 6"x6", 2014

Day One, encaustic and image transfer on panel, 6"x6", 2014

A painting everyday for thirty days. I've never painted that many days in a row before! I'm anxious to see what I can create in a short amount of time each day. No matter what else I'm working on, I will take time out of every day to devote to this project. I will post an image each day, even if it turns out unsuccessful in my eyes! Promise. :)

Panels primed and ready to go!

Panels primed and ready to go!

I believe this project will lead me into the core of what's within me. I always paint from the heart but this is also a time for me to experiment with no restrictions, without overthinking it or overworking it. I invite you all to follow me during these next thirty days! Thank you in advance for your feedback and support.

Read the next 29 entries on my new page 30 by 6 x 6!